Avalaible Light and Travel photography



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I organize photo tours and, in travel photography  I am usually faced with a scenario that is hardly controllable: people are what they  are and objects  are where they are.... Finally,  light is where it is.

Published in LSR Magazine, USA

When you work in  a studio, you control the variety, intensity and origin of light; when on a photo tour, your chances are limited to choosing, within a narrow margin of possibilities, the best time to be at the location and placing  characters and objects according to the scenario and the existing light.

Harry Fisch Travel Photography, Ethiopia
Picture taken at Ethiopia, during a Nomad Xpedition photo tour


On a Nomad Xpedition photo tour when my customers  find themselves in a field in Tuscany , the Malecon of Havana or among the members of a tribe in Ethiopia, they  can normally only count on their  camera and little else.

They  usually do not carry reflectors, or large flashes. The only advantage they  can have at the time of taking a decent photograph is to understand how light works and, above all, how the camera “sees” light. While landscape photographers often repeat their photographs on several consecutive days at the same location, this is a luxury you can rarely afford in travel photography.